Supernature - Cerrone

There's something chilling and other-worldly about Supernature. It made a big impression on my young ears when I first started listening to pop music, on Capital Radio in August 1977 following the death of Elvis (remind me to tell you more about that some time).

Cerrone, as with Georgio Moroder, Jean-Michel Jarre and Deodato, produced European disco at its coldest and most futuristic. Like much of the rock music of the time, this was music with grandiose pretensions, but was also democratic in its popular appeal. How exhilarating when it delivered.

I never heard Supernature for years after its release, picking up a secondhand copy in the early 90s. It enjoyed a revival in the mid-90s when its genius was recognised by the likes of Daft Punk.

I think the Parisian Jean-Marc Cerrone himself put it best: "I don't produce records to press up my musical ideas to any minorities. Musical desires of that kind should be better practiced at home in the own cellar. For me it is more important to make music that appeals to broad audiences - I intentional want to work commercial. Why this is tabooed by so many people doesn't go into my head." Quite.

Staple Singers - Slippery People

What makes a good cover? I’m not sure if there’s a golden rule, but the answer here lies an irresistible combination of factors:

• The original version of Slippery People was an excellent song, yet not widely known. This allowed the Staple Singers to make it their own

• The original version was by Talking Heads, at the time, considered one of the best groups on the planet. The Staple Singers gained credibility by referencing a very hip band. A potentially risky strategy but the end result sounded like the record the Talking Heads wanted to make if they’d been as cool as the Staple Singers

• A successful attempt by the Staple Singers to adapt their gospel-soul sound to a contemporary electro-disco. Again, this could have gone badly wrong. It didn’t

• The art of surprise: were the Staple Singers still going? And who would have thought that Staple Singers would even be aware of Talking Heads? Part of the pleasure of this record lies in the unlikelihood of its very existence. But then in their cover of Al Green’s Take Me To The River, Talking Heads had tapped into that same reserve

• Oh, and it’s a brilliant vocal performance by Mavis Staples, the production packs an infectious punch and you can dance to it.